In recent months, the New Normal has grown from pandemic lockdown catchphrase to a DysUtopian* ideal, embodying restless anxiety and quiet reflection, the ideals of international cooperation and the nadir of nationalistic isolation, and both a future of terrifying uncertainty and an opportunity for change, as we try to conceive of life alongside this disease.
Many times in recent months, as I’ve exchanged cards and small gifts with struggling friends, or cleared my cupboards for charity donations, I’ve been put in mind of Professor Brian Attebery‘s 2019 lecture at University of Glasgow on the future of YA and Adult Utopian fiction, part of a series sponsored by the Leverhulme Trust. Leading off from the works of Ursula K. Le Guin, Professor Attebery spoke of how the most convincing utopias in fiction may not be the ones at the level of full societal change, but those at smaller scales – even those found embodied in the brief moments of kindness shared between two individuals.
So, this strikes me as an opportune moment to draw your attention to my review of Becky Chambers’ Record Of A Spaceborn Few (Hodder & Stoughton, 2018) in the latest issue of Fantastika journal, After Fantastika.
